For devoted fans of early screamo, City of Caterpillar are practically legends, despite the fact that they only existed for three years. The...

It's a strange time for the Knot. It practically always is, but what's strange now — strangely enough — is the lack of inner turmoil in the...

My deepest sympathies to any Weezer completists out there. At this point, the band's output is a bit like the fantasy tabletop RPGs they onc...

Since their debut, The Comet Is Coming has flipped the script on what a jazz trio can muster. Comprised of Shabaka Hutchings (sax and shakuh...

Anyone familiar with the work of Makaya McCraven has an idea of what to expect from In These Times, his 2022 full-length effort for contempo...

KEN mode never lets up and never stops innovating with their sound. Even after creating music for more than 20 years, the Winnipeg four-piec...

For more than a decade, the Wonder Years' mission statement has been to take their personal struggles with deep-felt pain and turn them into...

WHOOP-szo spent roughly a decade playing the DIY Canadian music scene before releasing their 2019 debut album, Warrior Down. Filled with fre...

Most artists with nine full-length albums to their name have either settled into a comfortable groove or slowly fizzled out of relevancy — A...

In 2019, Joe Keery dropped Twenty Twenty, his debut record under the moniker Djo. He let down his legendary Steve Harrington curls and donne...

With 25 years and 10 albums under their belt, Death Cab for Cutie are at an interesting point in their career. They're not quite a legacy ac...